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The Canterbury Tales (Oxford World's Classics) By Geoffrey Chaucer, David Wright, Christopher Cannon
Ebook Free The Canterbury Tales (Oxford World's Classics) By Geoffrey Chaucer, David Wright, Christopher Cannon
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- Sales Rank: #46269 in Books
- Published on: 2011-09-05
- Original language: English
- Number of items: 1
- Dimensions: 5.10" h x 1.00" w x 7.70" l, .86 pounds
- Binding: Paperback
- 560 pages
Amazon.com Review
On a spring day in April--sometime in the waning years of the 14th century--29 travelers set out for Canterbury on a pilgrimage to the shrine of Saint Thomas Beckett. Among them is a knight, a monk, a prioress, a plowman, a miller, a merchant, a clerk, and an oft-widowed wife from Bath. Travel is arduous and wearing; to maintain their spirits, this band of pilgrims entertains each other with a series of tall tales that span the spectrum of literary genres. Five hundred years later, people are still reading Geoffrey Chaucer's Canterbury Tales. If you haven't yet made the acquaintance of the Franklin, the Pardoner, or the Squire because you never learned Middle English, take heart: this edition of the Tales has been translated into modern idiom.
From the heroic romance of "The Knight's Tale" to the low farce embodied in the stories of the Miller, the Reeve, and the Merchant, Chaucer treated such universal subjects as love, sex, and death in poetry that is simultaneously witty, insightful, and poignant. The Canterbury Tales is a grand tour of 14th-century English mores and morals--one that modern-day readers will enjoy.
From Publishers Weekly
This carefully researched and lively edition of a part of Chaucer's masterwork is richly and beautifully produced. While Cohen admits that "Chaucer's words are best," her prose adaptation of four of his tales captures the zest and vigor of Middle English and makes his stories accessible to the modern child. This is not a pedantic translation or a bowdlerized retelling; Cohen does not substitute weak cliches for Chaucer's rollicking and earthy metaphors, nor does she sacrifice the rhythms of his text. Readers hear the bickering of the pilgrims as they decide on which tale they want to hear next, and the rambling voice of the good Sir John as he laments Chaunticleer's fate. Hyman's meticulous drawings not only evoke the rich panoply of 14th century England, but they are faithful to the text in the smallest detail. Each pilgrim is made particular: we see the Pardoner's limp hanks of hair and the Wife of Bath's gap-toothed smile and dainty ankle. One could not ask for a more enticing introduction to Chaucer's world. Ages 10-up.
Copyright 1988 Reed Business Information, Inc.
From School Library Journal
Grade 3 Up Cohen has chosen wisely to adapt four stories from Chaucer's masterpiece for children with an overview of the pilgrimage, whetting the appetite for the real thing. She doesn't bowdlerize as Farjeon (Hale, 1930) and McCaughrean (Childrens, 1984; o.p.), who included more stories, had to. Cohen's choices: ``The Nun's Priest's Tale'' (Chauntecleer), ``The Pardoner's Tale'' (revelers in search of death), ``The Wife of Bath's Tale'' (variant of Sir Gawain and the Loathly Lady), and ``The Franklin's Tale'' (honor, fidelity, and generosity). She has given equal importance and depth to the tellers and to the tales. Her language, as always, is clear and fine. Hyman's glowing watercolors, bordered in gold, illuminate the tales. She has not painted the characters in flat, medieval style, but has given them the depth that the tales do, bringing them to life, dressed precisely as Chaucer described them, captured in a medieval frame, as Chaucer had framed them in the pilgrimage. Enjoy this impressive blend of talent. Helen Byrne Gregory, Grosse Pointe Public Library, Mich.
Copyright 1988 Reed Business Information, Inc.
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